You’ve completed your novel and then did your own editing. Before you send your novel to agents or publishers, you need feedback. Lots of feedback. You need critique partners.
About Critique Partners
A critique partner is typically a group of like-minded writers that work together and provide constructive feedback for one another’s work.
The following are common terms for people that read your work:
- Alpha Reader – This is a person that reads your work and provides feedback WHILE YOU ARE WRITING IT. Alpha readers aren’t necessary, though every pair of eyes on your work can be helpful. Your alpha reader is typically a trusted family member or best friend.
- Beta Reader – This is a person that reads your work after your first draft is complete. This person provides high-level plot and character feedback for your novel. They help you find plot holes and ask good questions about your characters. Again, your beta reader is usually someone is your circle of friends and family.
- Critique Partner – This is an author with whom you exchange writings. You act as their Alpha/Beta readers and they do the same for you. If you have a writing group that meets weekly, the group or a single author friend might serve as your critique partner while you’re writing, or after your draft is complete.
Finding Critique Partners
Yes partners, plural. You need more than one person to trade novels with. Don’t put your career in one person’s hand.
When you look for a critique partner, you should search for someone that writes the same genre as you. For example, if you write Young Adult (YA) fiction, choose a partner that also writes YA.
Also, make sure you’re familiar with your subgenre. For example, if you’re a YA author, do you write Paranormal YA, Steampunk YA, or Sci-Fi YA. For other examples of YA subgenres, see Novel Novice.
Look at Organizations
There are tons of online organizations that help writers connect with one another:
- Critique Circle – Join this online group and receive credits for providing good feedback. That shows that you’re a good partner and good people will work with you. This might not be ideal for a first-time critique.
- Google Group – You can join the Critique Partner Matchup Google Group.
- Ladies Who Critique – This is a female-only forum grouped by genre, interests, and experience.
- Meetup – Check Meetup for any local writer’s or critique groups in your area.
- NaNoWriMo Critique and Swap – NaNoWriMo is familiar to many writers and you submit your novel info by genre.
- Regional Writer’s Association – Join a regional community, such as the Pacific Northwest Writer’s Association.
- Similar Author Blog – Find a popular author in your genre and check their blog for CP matches. For example, see Kim Chance.
- YALitChat – If you’re Twitter-savvy, you can follow #yalitchat and join the conversation. You can also find like-minded Twitter users, build your network, and find a critique partner.
Before you can GET a good critique partner, you need to BECOME a good critique partner.
After you join a couple of communities where you can find a critique partner, look for other authors that are searching for partners. Find around half a dozen authors with novels that sound interesting to you and provide feedback. Why?
- By reading lots of other works, you can learn about what makes a good or bad novel.
- You learn what feedback others ask for and how to look for it. This helps you to understand what feedback to ask for in return.
- You demonstrate your value as a partner.
Before you can provide good feedback, you must:
- Understand the type of feedback the author is requesting. Only deliver what they ask for. If they only want overall plot feedback, don’t point out typos, misspellings, or grammatical errors. Unless they add to confusion for the plot.
- Learn whether this is the first time the author has received feedback.
- Commit to a small set of feedback, like 2 chapters.
- Commit to a deadline.
- Agree on a file format with revision tracking, such as Microsoft Word.
When you work on your critique feedback, consider this Hardcore Critique Advice.
Here is a quick checklist that you can use:
- Plot – Does the action start at the right time? Is there too much or too little character development?
- Plot – Does the beginning of the story hook your interest?
- Plot – Does the author substitute coincidence for plot movement?
- Plot – Is much of the plot moved along using internal dialog?
- Plot – Is the ending satisfying and exciting? Does it intentionally or accidentally leave a story line open?
- Pace – How is the pace of the story?
- Story – Is there the proper balance of action, dramatization, and narrative?
- Story – Is the dialog clear without being repetitive of “he said” and “she said”?
- Story – Did the dialog sound natural or forced?
- Story – Does the author over-explain or under-explain concepts, situations, or surroundings?
- Story – Was anything unclear or confusing?
- Story – Were there any inconsistencies?
- Story – Did each part of the novel add to the story?
- Characters – Did you feel an emotionally connected to the main character (MC)?
- Characters – Are the characters likeable and believable?
- Characters – Do the characters have consistent personalities and behavior?
- Characters – Do they grow throughout the novel?
- Characters – Does the dialog of each character sound unique?
- Characters – Are the character names distinguishable and consistent with the character behavior?
- Characters – Does the dialog of each character match their personality?
- Characters – Are physical descriptions subtle and appropriate?
- Characters – Do the characters behave in age-appropriate manner? For example, if an YA character behaves mature and selfless all the time…
- Point of view – Is the novel consistent? First-person present, first-person past, third-person past, etc. The verbs should be consistent throughout
- Point of view – If the novel is third-person, is there too much character-hopping?
- Point of view – Should the author have used a different POV?
- Tone – Is the tone appropriate? For example, does the author try to be too funny in a serious plot?
- Grammar – Are there repetitive sentences that repeat the same information over and over?
- Grammar – Are there long run-on sentences that could be better communicated using multiples?
- Grammar – Is there too much use of the passive voice? (See what I did there?)
- Grammar – Did you notice overused words or phrases?
- Grammar – Were there too many adverbs or was there poor use of verbs?
You will typically provide feedback two ways. First, you will provide comments and feedback directly in the writing sample. You can print the copy, use a red pen, and scan the copy. Or you can use change tracking in software, such as Microsoft Word. When you’ve finished, you will email or chat with your author, and provide high-level feedback and specific notes by email.
Provide Email Feedback Gently
Most authors pour their heart and soul into their pages. Be kind. Deliver the Feedback Sandwich.
Provide a disclaimer. Let the author know that your feedback is based on your opinion and that they are welcome to use or discard any of your suggestions.
Help them find your feedback. If the author is not familiar with the software that you used to provide feedback, help them to understand it. For example, “I have provided feedback for your text in Microsoft Word using comments and change tracking. For details about viewing that feedback, see Track Changes (Microsoft Office). Please let me know if you require a different format, such as PDF.”
Begin your feedback with things that you loved about the writing sample. Be specific. For example, “Thanks for trusting me with your first two chapters. I instantly connected with your MC. You did a good job of making me feel that she was frightened, yet strong by showing it rather than stating it. Your characters descriptions were spot-on. You provided enough information to allow me to create distinct characters in my mind without over-describing them.” Continue with as much specific good feedback as you can.
Add items for improvement in the middle of the feedback. Again, be specific. For example, “There are some areas that you could improve. In the second scene, your MC shifts from first-person point-of-view to third. The story started out with a small amount of character development and moved into action, which was great. However, after that, there was a lot of character development. Try to spread that out further in the book, among the action for those characters. The characters names Kirk and Kent were too similar and I kept getting the characters confused.”
Finish with your good feelings about the sample, and requests for future work. Be more general here. And be honest about whether you’d like to read future works by this author. For example, “I really liked your main characters and the beginning of your plot was exciting. I’d be happy to critique any rewrites and future chapters. I’m excited to see what happens to your character next.”
Working with a New Critique Partner
Ultimately, by providing feedback to strangers, you’re looking for a critique partner. It’s not easy to find a critique partner that you sync with. You need to find someone that enjoys your work, but also provides good feedback. At the same time, you have to enjoy their work and provide valuable feedback to them.
When you find someone that wants to try the relationship with you, consider the following suggestions:
Before you commit to reading or sending an entire novel, commit to one or two chapters. Exchange feedback. See if it’s a good fit for your both. If not, move on and find another partnership that’s mutually beneficial.
Set a Deadline
You both need to agree on a deadline and stick with it. For example, if you send two chapters, set a deadline of 10 days. Everyone is busy, and if you can’t set a deadline and stick with it, then maybe you shouldn’t be working together.
After you find critique partners or readers, you have to review the feedback. Brace yourself. This could be painful. Here are a few things to keep in mind when you read feedback from others:
- Feedback is that person’s OPINION.
- Some feedback might help you. The best feedback asks good questions, like “Why did your MC do that action?” and “Where did this object come from.”
- Ignore generic and hateful comments like “Your novel/character/plot sucks.” Seriously, that’s not helpful at all.
- KEEP YOUR VOICE – Don’t let feedback change the way you write. However, do learn from it. For example, if you receive feedback that your character isn’t relevant in today’s society, forget it. But if you receive feedback that your dialog isn’t smooth, then practice saying it out loud and see if it feels natural.
Listen to everything and the choose carefully what to implement.
You’ve done it! You completed your novel and now you’re ready to publish it. But wait! Before you start sending manuscripts to publishers or contacting agents, you need to revise and edit your novel. You might be anxious to move things along, but you shouldn’t send your book proposal until it’s polished and complete.
AUTHOR NOTE: I pay the bills as a Senior Technical Writer at a Fortune 500 Top 20 Tech company. There, I regularly pass work to an editor before I publish it. I’ve been there for two years, and I know my stuff. But having an editor means another set of eyes to look for typos, spelling, or grammatical errors. He provides fresh perspective when we work on a complicated feature, so he can point out areas where I don’t explain something well enough. He helps me approach ideas from a different direction. He helps me be clear and only include information that is necessary. At this point, I haven’t been published as a novelist, but I already understand the value of editing passes.
Starting Your First Editing Pass
If you’ve just written your novel, you need to put it down. Everything is too fresh in your mind and you’re heavily invested in your plot and characters. How long you wait depends on how well you remember the events in your book. You want to be surprised by the dialog. You should think, “I don’t remember writing that. It’s AMAZING!” You might remember your overall plot, but not the details. That’s the goal. The most-recommended timeline across the internet is one month. It also depends on how recently you wrote your book.
For example, if you wrote the entire novel in three weeks, such as for NaNoWriMo, and you have a great memory, then you might need to wait longer to edit it. In that case, you should wait several months to read it again.
Alternatively, if you started the novel six months ago and have a terrible memory, then you haven’t seen the contents of chapter one in a long time, and you can start revising right away. Probably, you’re somewhere in the middle. So wait a month before starting your first editing pass.
Planning the Editing Pass
When you are ready to review your completed manuscript for the first time, consider your reading format.
- On Paper – For most people, it’s a good idea to print your book on paper to read it for the first time. First, it’s very satisfying. Use a hole punch and put it in a binder. Then hold the fruit of your labor. Feel its heft. You accomplished this. Now pick up a red pen, some colored highlighters, and get started.
- On Your Computer – For the few folks that are used to doing heavy work on a computer and abhor the thought of sitting with a ream of paper, you can do edits on the computer. Save your book to a software that supports change tracking, such as Microsoft Word. You can add comments and colored highlights and keep moving through your manuscript.
When you’ve decided on a format, plan what issues to look for. In this first pass, you must consider the big picture first.
- Plot – Does your plot build quickly enough? If you include multiple, simultaneous plot lines, are they all moving along without obvious gaps? Do you give your audience too many hints to give away the ending? Or do you give so little information that your audience might be confused? Do you introduce information and not follow up?
- Character – Do you provide enough character building, without being boring? Do you describe characters too much? Do you have too many characters or characters with similar names? Is the dialog repetitive or boring?
- Environment – Are there areas where you over- or under-describe the surroundings of your characters?
- Miscellaneous – Any other potential rewrites, such as confusing sentences, or voice/tone errors fall under this category.
- Typos and Grammar – If you spot an obvious typo, misspelling, or grammatical error, don’t try to fix it. Just make a note or highlight it.
Planning Your Edits
You have your novel, and you know what to look for. Now you need to decide how you’re going to evaluate your novel.
You should take notes and mark up your novel.
Make Chapter Breaks
Logically break up your novel by scene. In your novel (on paper or in your software), make a note of the location of each Chapter break. For example, “CH 1” and “CH 2”. In your notes (paper or software), keep a list of the chapters with their page numbers, and brief summary title. When you get to a good stopping point for the scene, add this information to your note. Use a summary title that makes sense to you, and if you’re writing it on paper, leave several lines between entries for notes later. You can rename the chapter later for your readers. For example, “CH 1, PG 1, Back to School”. You can use this later to evaluation your scene lengths and check the pace of your book. You can also use it to find the pages where something happens.
Highlighting Your Novel
You should highlight your pages to note areas that need changing. For example, you can use the following colors:
With the highlights in your novel, add comments to indicate what the issue is. For example, “Sue acts like she knows Bob, but there’s no explanation of how.” Or simply, “Rewrite sentence.”
In addition to making a Chapter outline of your book, you should take additional notes, depending on how complex your story line is. Sometimes, it’s necessary to note what information your character learns, and in what order. Depending on your novel, you know what the tricky points are. Make notes of them so you can keep track.
Read Your Novel
Set aside a significant amount of time to read your novel. Find a place where you can spread out without being disturbed. You need to focus. If you can read your novel in one day, do it. Otherwise, make sure that you have large chunks within several days set aside to read.
Move quickly through your novel. Don’t stop and ponder how to rewrite a sentence. Make a note of anything odd you discover and keep going. You need to get a feel for the pace of your novel.
Make chapter breaks, highlight, add comments, and take notes using the methods that you have planned. If you run into an exception, deal with it quickly (mix highlighter colors?) and move on.
Review Your Notes
You’ve read your novel from beginning to end. How was it? Were you excited to turn the page? Were you impressed with your previous cleverness? Did you realize that you left gaping plot holes and your characters were inconsistent? Or, most likely, was it all of the above?
When you’re ready to review your notes, start with the following tasks:
- Look at your Chapter outline. Is your story in a logical order?
- Evaluate your notes and make a visual pass through your manuscript and look for plot and character issues.
- View your Chapter outline again and make notes within that outline for major plot issues. For example, does Chapter 6 need to come after Chapter 9? Perhaps the character was kidnapped in Chapter 12, and that’s when they need to find the special ITEM.
- Use your Chapter outline as a to-do list for what needs to be changed. Add all of your important notes there, starting at the top of the list: plot, character, environment, miscellaneous, and typos. Add the same color-coding.
Implement Your Edits
Finally, implement the changes that you noted in the review. Start with the plot. Sometimes, when you fix your plot, you delete changes with other areas you needed to fix. The plot is always the most important, followed quickly by characters.
When you finish with your edits, put down your manuscript. (Now’s a good time to work on the outline for the sequel!) Then do another editing pass. And another. Until you’re happy enough with it that you’re willing to let others see it. But do set a time limit, like 6 months. It’ll never be perfect, but you can improve it every time you read it.
Next Steps: Getting Feedback
After you implement all of your edits, you’re ready to pass your manuscript to others to read. For more information, see Getting Feedback for your Novel.
NaNoWriMo is about to begin and I will be spending all of my spare time in the month of November writing my third novel. I plan to attend a slew of NaNoWriMo Local Events, including the write-ins. That means mobile writing. I have a work laptop, but it’s generally a bad idea to do personal work on your corporate laptop. That leaves my iPad or my smartphone. I chose to use my iPad and played with some apps and accessories to figure out the best way to do it.
Here’s how you can use your iPad to write your NaNoWriMo novel.
The first thing you need to consider is what you want to accomplish with your technology during NaNoWriMo. Some people use pen and paper and do quite well. Some people get along well with a text editor. Perhaps you want to do a little more:
- Syncing: You want to do some writing on your home desktop, then pick up where you left off on your iPad. You want your documents to sync.
- Offline Writing: You want to be able to write on your iPad even when you have no Wi-Fi available.
- Rich Format: You want to be able to use different fonts and styling, like Bold, Italics,
Courier font, headings, and more, and you want them to sync perfectly between devices.
- Word Count: You have to have a word counter in your program so you can track your words for NaNoWriMo.
There are lots of apps and accessories out there that could enable you to accomplish your goals. As part of my technical blog, I wrote an iPad Series of articles on what you can do with your iPad. As part of that series, I wrote an article on Work Productivity on the iPad that focused on using an office suite, creating graphics, and writing a blog. I evaluated Pages, Skydrive, Google Drive, Quick Office, Evernote, and the Chrome Browser. While prepping for NaNoWriMo, I went through all of these options again and now have a recommendation.
What app should you use on your iPad? It depends on your platform.
If you only work on Apple products, whether you have a Mac or you’re ONLY working on your iPad, Pages is your best bet.
Pages will work flawless syncing and backups to the iCloud and will be worry-free.
If you’re concerned that you’ll need to have your final edit in Microsoft Word, that’s not a problem. Just “share” your document as a Microsoft Word document and “open” it in another program – like Dropbox or Google Drive.
Apple and Windows
Your iPad is an Apple product, but your desktop/laptop is running Microsoft Windows and has the Microsoft Office Suite. Your best bet is to keep your novel platform-independent until you’re ready to publish.
Google Drive is a combination of Google’s file sharing and syncing and the old Google Docs system.
Begin writing your novel in Google Drive. The file will be saved as a .gdoc format. Microsoft uses .doc or .docx. Don’t worry. When you’re done and ready to send it off to a publisher, you can go to any browser and download it as a Word document.
AutoSaves: Your novel will be automatically saved as you type. I couldn’t find any blurb where this was a selling point, but I tested it and it works! If the app crashes, just reopen it and pick up where you left off. This feature alone could potentially save your sanity and hours of rework.
Offline: You can sync your document just before you leave home and work offline all day. Click on the little i on your document and turn on Available Offline.
Any Computer: You can download the Google Drive syncing app for your personal computer, or just open a browser on any computer, go to drive.google.com, and sign in to your Google account. You can view and edit your document there, even if you’re on a library computer. Just don’t forget to log back out of your Google account when you’re done.
If you’re writing a novel on your iPad, you really, really, really need a keyboard. Bluetooth keyboards work very well with an iPad.
I am using the Logitech 920 keyboard that I originally purchased to use with my Android phone. I love the stand/case that it comes with. I haven’t had any trouble using it with my iPad.
If I were buying a new keyboard today, I would still buy the same one, mainly because I love the hard case that turns into the stand.
If I were looking for a more affordable option, I would get the Anker Ultra Slim Mini keyboard. It gets great reviews, is affordable, and is available in black or white. Hint: black keys look nicer longer. White gets dirty.
So – get your apps, get your accessories, and get started writing!
If you’re preparing to publish (or just beginning to write) you may consider using a pen name. I have a couple of friends that were getting married. She was constantly annoyed that her maiden name was mispronounced and his last name was Thigpen. Yes, Thigpen rhymes with pigpen. When they married they decided that they were both changing their name to Beck. Whether you hate your name or just want to use a catchier name, you may choose to use a pseudonym.
Choosing a Pen Name
To me, this was one of the hardest steps. How do you figure out one little word or phrase that defines your writing? Here is some good advice that I found on business.gov.
Whether it’s a clever moniker, a personal tribute, or simply picked out of hat, your business’ name will frame its identity. The significance of choosing a name can sometimes be a tricky undertaking. You may find it helpful to keep alternatives in mind during your selection process. If you’re having some trouble selecting a business name, here are some tips to consider.
Imagine how the potential name will
- Look (on business cards, advertisements, with a logo)
- Sound (ease of pronunciation)
- Be remembered (connotations the name may incite)
- Distinguish you from competitors (avoid trademark and copyright infringements)
You may want to avoid
- Embarrassing spellings, abbreviations, profanities, potentially offensive undertones
- Implied associations with organizations/people the business is not connected with
#1 – Make a Keywords List
So sit down with a pad of paper and do a little freestyle word associating. Think of all the words you would like your writing to be associated with. Think of images. Think of descriptive terms. Think of animals and colors. Go to an online thesaurus. Consider business endings to add to your pen name like “Enterprises” or “Creatives”. Make a list of your favorite words.
#2 – Search for a Web Domain
The first step to finding out if your pen name is available is to find out if the web domain is available. Even if you never use it, it’s good to own it and possibly use the free email that comes with the purchase. GoDaddy, among others, offers free hosting and email plans. And buying the domain name locks in your ownership of the name.
If you need some help getting creative, Wordoid Web Startup is my favorite source to help you create new web names that sound like real words. If nothing else, it’s a fun resource.
#3 – Do a Google Search
Once you’ve decided on your name and made sure the domain is available, do a general Google search. Search for funny spellings and anything similar to your name. A Google search can reveal whether your choice is already an author’s name or a famous celebrity. Move on until you come to a unique name. Unique doesn’t mean that the name isn’t a real name. There are other people named Stephenie Young, for example, but none of them are famous or celebrities.
#4 – Do a Registration Search
Once your online search is complete, do one final search. Check with the USPTO (US Patent and Trademark Office) and make sure there are no registered Trademarks for your new business name. Then go to your state’s Secretary of State website to do a business name search. Here is the Ky Business Name Search page. There is a link to your state’s Secretary of State page on the Business Incorporation page.
Pen Names and Copyrights
When filling out the Copyright information, you can easily use a Pseudonym. According to the U.S. Copyright office, you can additionally choose whether or not you want your legal name associated with the copyright. If you want your real name to remain private, you can file with only your Pseudonym.
Make a Business
One thing to consider when using a pseudonym is whether you want to keep your business accounts separate from your personal accounts. It is handy to have a separate checking account for your writing business. It makes things simple at tax time. And if you are able to receive checks as a different name (your pen name) it simplifies things as well.
Choosing a Type of Business
If you choose to create a business for your writing, you will need to decide which type of business structure you want. Basically, the more involved the business structure, the more paperwork and cost you incur, but the less liability you have personally.
Here are the basics in my own words:
Sole Proprietorship: Your business is tied to you personally. The paperwork is more simple. If someone sues the company, they are suing you. If you screw up, you are liable. There are no partners. This is what I recommend for someone starting a new business. You can move up to a corporation once you really start making some money. (Disclaimer – If you’re well-established and have a big net worth, go ahead and move up to the corporation or LLC to protect your personal assets.) This type of business is easy to start and easy to close. However, it’s harder to get employees to work for you.
Partnership: This is more complicated. I do NOT recommend you do this. If your business structure requires that multiple people are involved, I recommend that one person own the business and the other get profit-sharing or that there are two separate business entities. Partnerships are like being married, and divorces are messy and expensive and happen more often than you think.
Limited Liability Corporation (LLC): This is an extremely flexible structure that is good for partnerships, multiple business holdings, single business entities, etc. If you’re moving up from a sole proprietorship, I’d recommend this as a next step. The paperwork required is still much simpler than corporations and you can do what you want with the profits. The tax structure isn’t taxed like a corporation – it still acts like a sole proprietorship. But you still get the protection of “limited liability”. If someone sues the business, it’s separate from your personal assets. They can still sue you as the owner of the business. The liability is LIMITED, but not completely separate. Be aware that the LLC is tied to its members. If you sell the business, it will have to be refiled under the name with the new owners. The current LLC is dissolved. Also, you are required to pay self-employment tax, Medicare, and Social Security.
Be aware that an LLC does NOT protect you from owing on business debts. If you choose to make purchases on credit for your small business, your creditors will require you to sign PERSONALLY for those purchases. If the business fails, you will still be personally liable for those debts. However, any purchases made by the business – should it fail – will fail with the business.
S-Corp: This is a special type of corporation that has certain tax advantages. The owner is a shareholder. In an S-corp, the shareholders can avoid double taxation. In other words, when your business makes a profit, it gets taxed. Then, when you take a draw or get a paycheck, you get taxed on your income. Double taxation. This creates a business that is a completely separate entity from its owner. This makes it easy to sell or transfer the business. However, there are stricter laws on how you run your business. For example, you have to keep meeting minutes.
Corporation: If you really get big and choose to take on shareholders, you will need to become a full-on corporation. This requires a lot more paperwork and a different tax structure. Oh, and lawyers and accountants and double taxation… Have fun!
Non-Profit: These are usually for educational, religious, or charitable organizations. The good news – you don’t pay taxes! The bad news – you have to jump through a lot of hoops and red tape.
Here’s an informative link on Business Incorporation.
What To Do
If you’re looking for the most simple and straightforward way to have a business and write with your Pen Name, go with a Sole Proprietorship. Here are the steps that you’ll need to follow.
- Research and Decide on a Name – see the info above for details
- Buy Your Domain – just do it
- Register Your Name – In my state, a sole proprietorship needs to file an assumed name certificate with the county clerk’s office where the business is located.For specific information for your state, go to the Doing Business As Registration page of business.gov.
- Register Your Trademark – You can go back to the USPTO and pay to register your trademark if you like, but in the present internet age, you’re pretty much covered. Unless you came up with something really clever that’s going to make you a lot of money, I don’t recommend it.
- Register for a Tax ID – You probably don’t need one, but it is free to obtain. I needed one to open my bank account. You can apply on the IRS website.
- State Tax Registration – head to your state website and register to pay your taxes.
- Open a Checking Account – This checking account is for your business only. Put a set amount of start-up capital in there. For example, $500. The only money that goes into this account is for the business. The only thing you pay for is stuff for the business. Don’t buy the latest thriller from Amazon from that account because it’s handy. Open the account in your name, “Doing Business As” your business name.
I finished a novel for my daughter back in 2009. I’m ready to take that to the next level. I have a good grasp on my fictional world. I have an overarching plot developed. I have characters developed that I haven’t used yet, but have big plans for them. An I originally planned my book series to be centered on different characters but within the same group of friends.
The advantage to writing my series in Third Person perspective is that I can describe the thoughts and motives of different people. I can do a little foreshadowing by showing the “bad guys” in a scene. There is greater flexibility.
However, I recently made a decision to change the series style to that of following a single character. Specifically, Jen. I have the plot laid out for the second book, but was having an extremely hard time getting into the mind of Steve. I decided that my “voice” needed to be in Jen. In order to foster a closeness between the reader and Jen I decided to change the perspective to First Person.
I’m particularly able to do this because I can communicate the thoughts and motives of other characters through Jen’s empathy. I can also do a little foreshadowing through her. Additionally, there is so much going on in the Ferox World around her that by limiting my point of view to only Jen, I can limit the release of that knowledge to readers. I can also tell the story through her eyes. Changing the main character throughout the series changes the voice of the storyteller and I didn’t want to do that.
What this means is that the series will follow Jennifer as she first learns about being Ferox and later learns more and more about what it means to be part of the Ferox World.
According to Zig Ziglar, “If you aim at nothing, you will hit it every time”. It’s good to have goals!
My goal in 2012 is to write 3 books, bringing my Ferox Series total to 4. The first book I wrote was 86,000 words and 270 draft pages long. (That’s 8 1/2 x 11 sheets, double-spaced.) The first book will be written by March 31, 2012 and will go through my first revision by April 30, 2012.
This book will actually become Book 1 in the series since it will give less information about the Ferox than my first written manuscript. It’s the story of Steve Lawson. Steve has lived a roller-coaster of a life, having attended over a dozen different schools within 30 miles of one another. He’s lived in a 4,000 square foot home and in a roach-infested studio apartment. Now a Sophomore in a public high school he’s acquired a new trait. Steve is the luckiest guy you’ll ever meet.
Book 3 and my second project for the year will probably be Lena’s story. We meet Lena in Book 2 – Jen’s book. Lena’s a first-generation Chinese-American struggling with respecting her parents’ culture while taking on an American identity of her own. To make matters worse, Lena gets terrible migraines. And with those migraines come visions of the future.
After writing this third book I’m going to start actively looking for an agent. First I want to relax and write these books for my own enjoyment.
For the last third of the year I’ll be working on Book 4. I haven’t decided if I’ll be ready to tell Henry’s story by that p0int. Book 4 may be Victoria’s story.